Editor’s (Me) note: I wrote this yesterday, but I didn’t want to change the introduction. I’m too cold. (Which is also probably why WordPress isn’t allowing me to upload photos with this post.)
I’m on my third cup of tea for the day and I have seen the ending of “Nebraska” three times now. Too much? I don’t think so.
One of the (only) perks of an usher shift at the movie theater, especially right now, is escaping for a few minutes to watch Woody Grant (Bruce Dern) have a moment to drive down the street in his son’s truck and pretend it is his own.
Taking in this scene in exchange for having to sweep up popcorn and pick up boxes of Cracker Jack (which we don’t sell) several times in an evening will suffice until I can see the whole film again.
As I said, Dern plays Woody Grant in the black-and-white film about a man who thinks he has won a million-dollar prize and wants to go to Nebraska to claim it.
He’ll even walk there, from Montana. While his wife Kate (June Squibb) and son Ross (Bob Odenkirk) are a bit fed up with Woody, his other son David (Will Forte) comes in to pick up the pieces.
David hasn’t had the best relationship with his father either, but ensures he gets home safely after repeated attempts to walk across state lines.
Clearly Woody is seeking something more than the million dollars. He needs to get away and perhaps wants something more in his life as he ages.
The result is a chance for Woody and David to bond more on a father-and-son road trip to Nebraska.
David’s girlfriend just moved out of their apartment and his job at an electronics store is not his life’s dream by any means.
The trip ultimately becomes a time for the whole Grant family to come together again and for Woody to revisit his past, including the town in Nebraska where he was born.
David is able to learn more than he ever knew about his father from the local people in town, my favorite being Woody’s high school sweetheart, Peg.
It’s a sad story just as much as it is uplifting and the script, with Payne’s direction, lets the viewer in to connect with the characters.
I think a repeat viewing of “Nebraska” would reveal even more of the characters and the meaning of the story.
At the same time, it can be taken at face value to be about the importance of family.
The film has been criticized for being negative in its portrayal of an elderly character and the state of life in the Midwest, but I just didn’t see it that way. Payne is from Nebraska, so I can’t imagine his intention was to tell a negative story – just the truth.
The visuals and music add to the theme of “Nebraska,” but like any story very centered on its characters, the actors’ performances are key.
Dern, Squibb and Odenkirk all fit well in their roles and my favorite performance was by Forte.
Davis is a struggling folk singer trying to find a niche for his music during the early 1960s in Greenwich Village.
He moves from couch to couch at his friends’ apartments and is as much navigating his personal life as his career.
Characters like Jean (Mulligan), Jim (Timberlake) and Roland Turner (John Goodman) are there to exemplify Davis’ struggles and show that he is really on his own.
His character can best be mirrored in that of an orange tabby cat who he is paired with for a good part of the film.
The cat – maybe this is too literal – is lost and sometimes hurt during its screen time, much like Llewyn.
I think this film is worth a second viewing, too. The music and cinematography choices by the Coen Brothers are as much of a character in the story as Llewyn Davis and they all deserve more study.
Now if I only had more time. I’d venture out today if the temperature wasn’t approaching -50.
I’ll probably catch “American Hustle” this weekend and in the meantime I know I can always pop in to work and watch the end of “Nebraska.”
WAIT, I’m not done.
Here are some fun facts I found while researching these films: