Hey hey, happy Flashback Friday. Is that a thing or just for people who missed celebrating Throwback Thursday?
In any case, here is an old picture of my sister Carla and I from Spring of 1982 at our old house on Springdale Court.
I am also celebrating Flashback Friday by going back to movie 77 of my quest to watch 366 this year, Your Sister’s Sister.
I am hurting a bit by not writing about the film after I saw it. Even though I take notes, my feelings about a film is hard to express days later.
What has continued to be on my mind about it, however, is the ending. There was one moment when I thought it was going to end and then one more short scene after that took it away from a predictable conclusion to the story.
I enjoyed the film up until that point anyway but the last addition to the plot was effective to conclude a story focused on character development, family relationships, love and loss.
There are only three main characters in the film, written and directed by Lynn Shelton, Iris and Hannah, who are sisters, and Jack.
Jack (Mark Duplass) is Iris’s (Emily Blunt) best friend and Hannah (Rosemarie DeWitt) is her sister.
Jack, at the suggestion of Iris, decides to spend some time alone at her family’s cabin after his brother dies.
Hannah has the same plan, going to the cabin after a tough break up, leaving the two lost souls together in a time when they planned to be alone.
They have a drunken night together only to be visited the next day by Iris, who decides to go check on Jack, and possibly express her romantic feelings for him.
Each character went to the cabin for their own reasons, but they end up discovering as much about themselves as they do about their dynamic together with a good share of challenges along the way.
Having only three characters presented a solid platform for focusing on the individuals as much as their relationships together as their feelings and life decisions were tested in a concentrated environment.
I feel like I’m being a little vague here but there were some surprises in Your Sister’s Sister, in addition to the ending, that took the well-written and developed film to a more mysterious level open to interpretation by the viewer.
With that, here’s a quote for today from a randomly-selected page in Cormac McCarthy’s All the Pretty Horses.
“We shall see what fate has in store for us, won’t we?
I thought you didn’t believe in fate.
She waved her hand. It’s not so much that I don’t believe in it. I don’t subscribed to its nomination. If fate is the law then is fate also subject to the law? At some point we cannot escape naming responsibility. It’s in our nature. Sometimes I think we are all like that myopic coiner at his press, taking the blind slugs one by one from the tray, all of us bent so jealously at our work, determined that not even chaos be outside of our own making.”