For fear of being truly haunted by the “witch of the wood,” and because I can’t get The Witch out of my brain, I am skipping ahead one post today. Hopefully my rewind blog on Your Sister’s Sister, movie 77, will push the remaining haunting images from The Witch out of my mind. I do apologize if there are any inadvertent mentions of the mumblecore movement or Mark Duplass here. For all I know, he and Jay Duplass are probably already coming up with a film like The Witch but set in a New York loft as some 20-somethings figure out their lives. I’ll watch it.
Back to the fear I was talking about, I at first didn’t think The Witch was that scary when the credits started rolling. There were a few moments I jumped in the theater, but in the end I was more focused on it being a well-done first feature film by Robert Eggers as he effectively used the mystery of the unknown to scare his audience rather than only loud noises and things that go bump in the night.
My walk to my car under the hazy moon on an otherwise dark street with silhouettes of people in their windows watching television (if they were in fact there) made how scary The Witch actually was set in. Of course the only parking when I got home was by the woods near my apartment building and I was sure I would be sucked in and possessed by something evil.
I could just have a wild imagination because I see a lot of movies and think about them even more, or I’m just a tad delusional, but I do measure the success of a scary film on the effect it has after the fact. The Witch is doing pretty well in that regard.
Eggers, known as a production designer on many short films, set The Witch in the 1630s with a family in New England slowly turning against each other as a supernatural being causes tragedy and cute babies to disappear into thin air (a terrifying scene early in the film.)
The slow burn style Eggers uses to tell the story, influenced by themes of New England folklore and witchcraft, with only glimpses of what is truly evil fits the bill for a horror film even if it doesn’t seem like one on the surface.
The use of the score and sound effects to instill fear was another strong point of the film. There was louder instrumentation even as nothing was really happening and then complete silence in the background of some of the more climatic moments resulting from the family’s strife and belief the children especially are turning into witches.
Thomasin (Anya Taylor-Joy) is really at the center of it all and her character truly exemplifies what the family is going through all in one person. She is the hero in some moments and shunned aside in others as Eggers keeps the mystery of her true identity at bay as long as possible.
My recommendation is to go into The Witch knowing things are not always at they seem and then try not to think too much about it afterward, if you have an imagination like I do. (Also park somewhere well-lit near theater.)