I listened to Marc Maron interview Danny Boyle (director of Steve Jobs) on WTF this week and their conversation made me think more about some of my favorite aspects of the film.
It is becoming more of a front runner for me as far as one of my favorite films of the year and it’s largely due to the acting by Michael Fassbender and Kate Winslet.
In my last, short, commentary on Steve Jobs I did not focus on Jobs’ relationship with his daughter portrayed in the film. Boyle and Maron talk some about the relationship and how its one of the key components in the story that bring what flaws and weaknesses Jobs has to the surface.
They also talk a lot about Aaron Sorkin’s work on the script and the process to hone it to balance Jobs’ professional and personal life without actually going overboard with the dialogue.
I remember very heated, sometimes lengthy, conversations between Jobs (Fassbender) and Joanna Hoffman (Winslet) as Jobs prepared to launch various Apple product throughout the film but Boyle and Sorkin built in effective pauses to let the moments sink in and show the impact of what can be said without words.
It’s an interesting reflection to have on a Sorkin script (I am still scarred by the verbose Social Network – or maybe just Jesse Eisenberg) but he and Boyle achieved a healthy balance in Steve Jobs.
The film, while still not getting the attention it deserves, has acting nominations for Fassbender and Winslet between the Screen Actors Guild and Golden Globes lists released in the last week.
Strong acting seems to be a common thread among many of the top films whose studios are pushing for a spot on the Academy Awards nomination list.
For example, Johnny Depp made the SAG cut for his performance as Whitey Bulger in Black Mass. I didn’t like the film as much as I thought I would and, despite the incredibly distracting and unnecessary makeup, Depp did shine through.
I’ll leave it to Eric Kohn from Indiewire and Anne Thompson from Thompson on Hollywood on Screen Talk to better explain the unpredictability of which films will make the Academy’s final cut.
The Screen Actors Guild and Golden Globes lists have some consistency – but more surprises – which makes me think (or at least hope) that could influence the final word from the Academy. The Academy Award nominees are usually easy to predict by the end of the year, but I’m happy with the unknown for now and how many great films are on the way to theaters before the home stretch of award season.
In other news, for the first time in a many years I am going to see a movie on Christmas Day. Our selection depends on what is showing at the theater in up nort’ Wisconsin, but I am pretty, pretty excited about it and getting out of town to spend a week with my family.