I AM SO BEHIND ON THIS CHALLENGE!
I feel better now after venting just a little, but if anyone has the power to stop time so I can catch up on my movies, please please please let me know.
I did watch two movies over the weekend; please hold your applause, Carol and Five Easy Pieces.
I still can’t get the visual and audible elements from Carol, including the costumes, music and exterior scenery of 1950s New York, out of my mind.
Cate Blanchett and Rooney Mara carry the film with a strong supporting cast of Kyle Chandler and Sarah Paulson but, even with its elements of conflict, romance and drama, the pace was a little slow.
Those elements make for dynamic story but I am still left with the feeling that not a lot happened in the film, and I’m not sure why.
Blanchett plays Carol Aird, who is married to Harge (Chandler), and they have a daughter together. It’s not long into the film when Carol meets Therese (Mara) while Christmas shopping at the store she works at and they develop a relationship. Carol has dated women before and her new relationship further angers her husband and shows how society reacted to same-sex relationships in that era. It is also an impetus for Harge to keep their daughter away from Carol and he goes to all lengths to prove her infidelity.
Therese, an aspiring photographer, is less tied down than Carol, but she does have a boyfriend Richard (Jake Lacy), who she knows she doesn’t want to be with forever. It’s either her sexuality or lack of love for him specifically, or both that causes their relationship to end, especially when she meets Carol.
Carol presents the themes of not only sexuality and the acceptance of it decades ago but also those of love and passion and what people will do when those feelings come into play.
The film, directed by Todd Haynes and based on The Price of Salt by Patricia Highsmith, is overall told in a flashback after one glimpse of Carol and Therese together. That style of the film, in my opinion, resulted in an ending that felt a little flat and predictable as far as how relationships that are considered forbidden are portrayed in cinema.
Carol is worth seeing for the visual elements and acting but, although I haven’t read it, perhaps Highsmith’s book is the more complete of the two versions of the story.
I also felt Five Easy Pieces, while Jack Nicholson is amazing in it and I could watch him act all day long was a little slow-paced despite the performances, visuals and music.
Music is a key part of the film given that Nicholson plays a classical pianist-turned oil rigger, Robert Eroica Dupea, who returns to his hometown to visit his ailing father and other family.
It’s known as a standout performance for Nicholson in his career after his supporting role in Easy Rider, which I still need to see, but that was the primary high point of the film for me.
It could be the time that has passed since it was released that took away from the film for me, but I did somehow still feel connected to the depiction of the 1970s middle-America despite not having been born yet
Five Easy Pieces maybe didn’t make Nicholson’s career in its entirety, I’ll decide on that after I see as many of his movies that I can this year, but it is a part of the puzzle that makes him one of my heroes and best actors today. Even if there were other people in the scenes, Nicholson’s character was always the focus in the film — from when he plays a piano on a truck stuck in traffic to the more intimate, and heartbreaking, moments when he sees his Dad after many years.
The ending was similar to that of Carol in that there was some uncertainty about the future of the characters and their relationships, but I think it was a more effective choice in Five Easy Pieces given Robert’s establishment as a loner and independent spirit.
There isn’t much audio in the end of the film, leaving me to imagine Robert saying (to quote Mr. Dana Gould in his latest podcast episode, Look Back in Langour) “All I … want is solitude and Fritos.”