It’s hard to pick 10 top movies from one year. I even have my movie stubs from 2015 on a bulletin board connected with red yarn and thumbtacks to identify the culprits — but we all know that strategy never works.
If I am going to complete this list today, much less by the stroke of midnight on Dec. 31, I better just start writing. (Luckily I have excerpts from my previous posts to work from.)
One of my favorite parts of the film is knowing going into it (after hearing interviews with Jemaine Clement and Taika Waititi on the Nerdist podcast as well as an episode of Sklarbro Country) how passionate they were about their idea and getting the film made.
Clement and Waititi effectively weave in lore about vampires (such as that they can’t see themselves in mirrors and sleep during the day) with allowing characters to discover modern things like the Internet and digital cameras. The visual and verbal humor is consistent throughout the film and it’s one that’s fun to watch in a crowded theater (update- or on Netflix in a crowded living room with your peeps.)
Fans of Clement and Waititi will definitely like this film and I hope they develop a whole new audience and continue to work on more projects together.
Well If there is one thing I learned from watching A Most Violent Year, Jessica Chastain certainly knows how to put a district attorney who interrupts her daughter’s birthday party with a search warrant in his place.
I believe “This was very disrespectful,” was the line from Chastain’s character, Anna Morales, as she leaves the attorney Lawrence (David Oyelowo) in the driveway with a piece of birthday cake while she politely ushers her guests out the door with party favors.
Chastain’s role is the wife of Abel Moreles (Oscar Isaac) who is trying to keep his business running and protect his family as violence in New York City runs rampant.
In the end it’s really a story of who you can trust and what people will do to get what they want. Even Lawrence, seemingly trying to save the city, might not be entirely innocent, even if he hasn’t broken the law.
I think A Most Violent Year is underrated or at the least got lost in the shuffle of other films in early 2015. The slow burn of the story that reveals the characters’ inner struggles was an unexpected strength of the film.
Spring is definitely my favorite love story/monster movie of the year and one of the most visually appealing on this list.
There is nothing like a good love story. There is also nothing like a good monster love story.
Evan is one of the main characters in Spring and the story focuses on his decision to travel to Italy as a way to escape his past and struggles in life. Evan quickly finds friends to backpack with and meets a local student, Louise, during their travels.
Evan is instantly smitten with Louise and drawn to her, but she is hesitant to go out with him. As fate would have it, they keep running into each other after Evan stays in the city where she lives and finds a job on a local farm.
The backdrop of a foreign country really works for the film, not only because of the scenery Aaron Moorhead and Justin Benson were able to capture, but also because it adds to the feeling that Evan doesn’t really know what he is getting himself into by living in a new place and pursuing Louise.
Sometimes a good love story will just get to you, even when it is mixed with a bit of fright and blood and gore. Moorhead and Benson’s talent for character development while building suspense and fear in their audience shows in Spring, especially through the visual effects and soundtrack.
If there is an underlying theme of the film, perhaps it is people aren’t always who they appear to be and you need to take some chances in life.
Spring has been popular on the film festival circuit and had a short run in Minneapolis. More details on where to see or buy the film are on the Drafthouse Films website.
I’m obsessed with the show Fargo lately. I’m only in season one, but each episode is almost like a movie in itself and so intense I can only watch one before I have to take a break for a while. Plus I can prolong seeing anything bad happen to Colin Hanks’ character. I can’t take it.
Related to Fargo (more the movie than the show) Kumiko, The Treasure Hunter explores more of the true story that inspired the Coen brothers years ago.
If there is one thing I would recommend before seeing Kumiko, The Treasure Hunter, it’s actually best to know as little as possible about the true story that it’s based on.
I saw the trailer for the film in February and was fascinated by the premise and portrayal of the quest of a Japanese woman, Takako Konishi (Rinko Kikuchi), to find the money buried in the movie Fargo, which she believed was real.
Watching the film with only that little bit of information in the back of my mind added to the mystery of it and Kumiko’s character as she is seen working in an office in Tokyo while plotting how she will travel to the U.S. to find her treasure.
Interestingly the filmmakers, David and Nathan Zellner, were able to keep away from media coverage of the story they were telling so it wouldn’t influence their creativity while they completed the project, according to an article from Indiewire.
Once the film was over, my mentality (temporarily) switched from not wanting to know anything to wanting to know everything about the story. I wanted to know more about Kumiko’s character and why she thought what she saw in the movie Fargo was real and that it was her destiny to find it. Now, having thought about it for a day, I am satisfied with the mystery and unknowns the Zellners presented in the film while appreciating their technique in cinematography, writing and storytelling.
The film was made both in Japan and Minnesota and the transition from one location to the next and the differences between the cultures exemplified Kumiko’s struggle as she tries to find her treasure and — ultimately — happiness.
Visually, the composition of scenes with Kumiko in Tokyo compared to the sudden stark winter landscape she faced, seemingly without fear, was stunning to watch.
Music, by The Octopus Project, added to the haunting components of the film and overall the instrumental soundtrack was fitting to accompany Kumiko on her journey.
There was a small amount of humor in the film, but for the most part I found it to be sad and dark and hard to watch at times, even with the way the Zellners chose to portray the end to the story.
I know I’ve said it before, but movies can be a escape, especially for me. Kumiko, The Treasure Hunter is easy to get lost in and think about what the journey was like for her and the people she did meet along the way.
6. Ex Machina
Oscar Isaac is back on the list.
I wrote about this film briefly over the summer and it is one I really want to revisit again soon. Science fiction isn’t really my thing, and this film technically fits in that genre, but it’s subtle enough and presents underlying themes about human nature to keep you thinking for a while.
Ex Machina delves into artificial intelligence and testing the ability of one, Ava, to display human emotions. Caleb (Domhnall Gleeson) is selected by Nathan (a Oscar Isaac) to spend time with Ava over one week at his remote house. What could go wrong? The film has its share of twists and turns to keep the viewer in suspense about Ava and Caleb and how much power Nathan, as the inventor, really has. There are certainly scenes where I wanted to close my eyes, but trust me, don’t do it. Oscar Isaac dances, and you don’t want to miss that.
I really wish I wrote about this film when it was fresh in my mind. That said, the visual style of the film is one of its many strengths that I keep going back to and that makes it one of my favorites from this year. The coming-of-age film stars Bel Powley as a teen who is trying to grow up too fast and decides to pursue an older man during the rebellious phase of her life.
To complicate things, the man (Alexander Skarsgard) is also her mom’s (Kristen Wiig) boyfriend.
The story (based on a novel) is told against the backdrop of 1970s San Francisco and with graphical depictions of what is going on in Minnie’s mind as she navigates her teenage years and ultimately learns about her true self.
In some ways the story is a bit dark, especially when the relationship between Minnie and Monroe (Skarsgard) ultimately comes back to show the strain between her and her mom. However, in its own way, the film also has everything work out in the end and presents closure to all of the characters’ struggles.
It also shows the dramatic range Kristen Wiig has and I hope she has more roles like this in the future (also see The Skeleton Twins.) The Diary of a Teenage Girl will be out on DVD in January. I haven’t seen it yet but Wiig’s film Welcome to Me is on Netflix and getting some critical praise.
This is where Jemaine Clement comes back into the picture. Last week, (in August) I saw Clement in one of my favorite movies of this year People Places Things.
Clement’s character in the film Will Henry, a newly-single father of two, finds himself trying to navigate work, taking care of his daughters and eventually breaking out into the world of dating again.
Henry is a graphic novelist and college professor. His drawings play their own role in the film as scenes the characters are experiencing are modified in Henry’s imagination and shown to the viewer as he draws them out on paper.
Not too far into the film, as one of Henry’s students sets him up on a date with her mother Diane (Regina Hall), Henry presents the question: Is happiness in life is really a sustainable concept?
There is a connection between Diane and Will based on this concept and the idea they are both on board for a “no bullshit” courtship.
It’s all easier said than done and of course things do get complicated as a result of Will and Diane’s past relationships, and their kids.
Overall it’s a simple premise for a film — in some ways one that’s been done before — but writer and director James C. Strouse effectively takes the “romantic comedy” to a new place and completes the story with its share of unpredictable plot points.
In the end you may not be surprised by what happens to Will and the decisions he makes, but you will be happy.
The film has a subtle humor, a lot of heart and continues Clement on the path to my kind of leading man following his role in What We Do in the Shadows and what I am sure will be a delight if the big-screen version of Flight of the Conchords is made (there is a movie in the works.)
People, Places, Things is streaming on Netflix now.
3 and 2. Amy and Tig
I have a lot of documentaries on my favorites list this year … but I want to at least highlight Amy and Tig for now.
Amy is an in-depth and unique story about Amy Winehouse’s life, and sadly, her death. The film, which interestingly uses mostly audio interviews with Winehouse and her friends and family, starts in her childhood and continues to tell the story of her rise as a musician in London and the U.S.
The film presents a disturbing glimpse into how Winehouse lived in the media spotlight while dealing with her personal struggles with addiction and bulimia and trying to continue to make music. it also shows the influence she had on other artists, like Mos Def and Tony Bennett, and their admiration for her through it all.
It’s a sad story but I feel the film strongly presented both the ups and downs of Winehouse’s life and the legacy of her music.
As for Tig … Tig Notaro is one of my favorite comedians and I am still recovering from the news that her podcast with David Huntsberger and Kyle Dunnigan, “Professor Blastoff,” is now over. But if it makes room for more projects from each of the comedians like Notaro’s documentary, “Tig,” then I guess I can live with it. (Plus I still have most of the four years of archives to listen to.)
Tig, which is available on Netflix, focuses on the year since Notaro became sick, her mother died and her cancer diagnosis. Notaro talked about her diagnosis, one day after finding out, during a famous show at Largo in Los Angeles and the documentary also focuses on her work leading up to the anniversary of that show. Fans of Notaro will know some of her story but the documentary provides more of a look into her life and at her as a person than what I’ve seen and heard before. I also recommend “Knock Knock, it’s Tig Notaro,” about her comedy road trip to fans’ hometowns with Jon Dore.
I wrote the original post about Amy and Tig as I was preparing to move and said, “I didn’t even get through all of what I’ve seen lately. I’ll have to continue with that project after I set up a writing perch at my new place.”
That’s where I am now and I am going to close out this list with a film that I did see recently … Steve Jobs.
1. Steve Jobs
Is Michael Fassbender becoming my new Oscar Isaac? I have not seen as many of Fassbender’s movies, but his performance as Steve Jobs definitely moved him up on my list (and I can’t wait to see Macbeth.)
Steve Jobs focuses mostly on the title character’s launch of the iMac in the late 1990s and his professional and personal life leading up to that moment.
I honestly don’t know enough about Steve Jobs to reflect on whether Fassbender captured who he was during that time of his life, but it is one of those performances where you lose sight of the fact that someone is acting as a real person. (Much like in Spotlight.)
That’s really what sold me on this film. It equally balances the history of Macintosh technology and the people surrounding Steve Jobs in his life and their struggles with him.
Unfortunately the film did not get that much attention to keep it in theaters very long, but Steve Jobs has critical merit and buzz on the awards circuit.
Until Steve Jobs is on DVD or streaming, check out Michael Fassbender in Frank.
Here is an excerpt from my post about the film:
I was hooked on what I thought was a completely fictional movie just from the trailer, only to find out at the end that it’s based on a true story documented in a newspaper article by Jon Ronson.
Ronson is the inspiration for one of the main characters, Jon Burroughs, an aspiring musician who stumbles upon an opportunity to play a gig with a mysterious band, the Soronprfbs.
The band leader is Frank Sidebottom, who always wears a paper mache head with a face painted on it.
The role of Frank Sidebottom is a departure for Fassbender, I think, but he masters the performance and the musical talent of the main character. Fassbender’s voice is key in the film as he performed many of the songs by the Soronprfbs and had to act, for the most part, without using any facial expressions.
One of the many films that didn’t make it on this list is Tangerine. It is also one of my favorite films from this year, but I think I am going to revisit it before sharing my thoughts. (It’s also streaming on Netflix.)
“That is All.”
P.S. If you want to know more about Steve Jobs, I recommend this interview with John Hodgman on The Nerdist.